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We hear harp, electronics, piano, cello and percussion convene in clash and collusion, setting forth a dazzling array of sound and expression. Plains of disarticulation and misdirection are cut by moments of inextricable entanglement, where we hear discrete sounds fuse, instruments bleeding into one another, at times taking on the warp and weft of a companion. The re ording is of an extraordinary performance of improvisational prowess by four musicians working at the very limits of their technical and expressive capacities.